Normalizing Your Audio With A Parametric EQ

Master Audio Editing In Premiere Pro Basic But Important Audio Corrections
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Transcript

Hey guys, welcome back to a brand new lessons. So before we actually start learning in this lesson, I want to thank you and of course to congratulate you. Because if you're watching this lesson, that means you're officially enrolled into the course. So thank you very much. And let's not keep wasting our time. Let's keep learning actually.

So, right here, I wanted to mention another thing, it's that if you get into another lesson, don't delete the stuff that we did before. So, for example, in our last lesson, we were working with the D noise effect. And what I meant to say by that is don't remove it keep it the same way as we adjusted it. Because we don't want to see what we did with a specific effect. Of course, we can do that. But we're trying to, we have a bigger goal, we're trying to achieve that final crispy sound with our audio.

So if you remove some of the effects that we did, you're not going to achieve that. So keep them the same way. So basically, don't delete any of the things we do just pick up where we left off. So right now I'm going to go To the effects tab right here, if you forgot you can have the same workspace as I have by going to Windows workspaces and effects. I don't like working with the audio one is way easier. So just go to the effects and search for thing called parametric equalizer.

It's right underneath audio effects tab. So try it onto your audio and you know the process just go right through to your back controls. And click on this edit button right here underneath promotion equalizer. And right off the bat, I know it seems scary, and it looks kind of scary. But trust me, it's really simple to use. But of course, before we get interest, before we actually start using this effect, I want to explain to you what it does to you not only just going to follow me, but you're actually going to understand what this effect does.

So basically, what do we use this parametric equalizer for domains as it for itself is basically equalizing the parametric. So what are we trying to do right here is achieved the specific curses that are going to pick up Our audio and we're going to loosen up both of the bass boost and our docking. For example, if you have a wide room is going to pick up a lot of bass boost is going to pick up a lot of effect Echo, I'm sorry, Echo, you're going basically gonna have a lot of echo, I'm going to show you how to remove all of these how to adjust your lower higher frequencies, which is really simple. So right here master again, we're not going to mess with that. And we're just going to keep it the same way it is on zero we have this preset, which which we're going to keep on default.

We have this loudness Maximizer right here but we're going to leave this for another lesson I got this covered in another lesson we're going to use this this different different way. And of course, if you need any of these, you can test them out but um, but I like it on the default right here. So I want to explain these right here. So this L stands for low which is of course for lower frequencies. For example, for example, I mentioned a bass boost in your in your voice, and that's something that we can adjust by Working with this. And we have also this H which stands for higher purposes and is going to pick up all the higher frequencies that are basically something like for example, noise.

If we remove the noise noise reduction, we are D noise if we drag this up but it's basically going to do it's going to bring back the noise and it's going to increase all the all the practices all the horses that are there that is picking up. We have this from one to five right here and we're going to show you how to work with this in a second but before we actually get working with this, I'm going to explain what this right here is. So as you can see practices, as I said, are frequencies I don't know how you how you pronounce it doesn't matter. So what this means is basically all of the Hertz is that is picking up or or the highest. The hearses for example, as you can see, it goes all the way up to 20 k right here 20,000 and it's all the high ones.

Right here on the lower ones. It's right about 40 underneath you of course know what gains As basically how much of the decibels you're going to add or subtract or something like that. And it's basically going to increase or decrease the effect or the audio that we're trying to achieve. And right here, under EQ or width, we have these options right here, which is going to make the effect smooth, or sharp right here. So sharp is this one, which is edgy. And this is the smooth one, of course.

And, for example, these right here, I'm going to explain this later. But just bear with me, it's really easy. And of course, we got these labels right here, which I explained right here from our age from one to five. It's real easy. So right now, if you actually want to use this back where you're going to need to do is play your audio and listen, because we're trying to we're trying to realize what our audio needs we're not trying to we're not trying to just follow you. You're not trying to follow me and do the exact same thing that I'm doing.

Maybe your your surroundings are different. Maybe your microphone is different. Maybe You have way more input level in your microphone than I do. So basically what I'm trying to say is keep keep following me and actually realize what I'm doing. So you could do the same to your audio but in a different way in a way that your mic needs it. So right now, I'm going to play my audio and listen to it.

Hey, what is up guys, Ennis, here from reverse cuts and today I got to bring you tutorial for you. So this is something that I wanted to do for a while I didn't have time to write down. What I realized is that my law practices are having a really nasty bass boost around 80 hertz right here. So as you can see, so I'm just going to get it back to zero decibels and leave it right here right now. I'm going to check out my higher frequencies. Hey, what is up guys and Shere Khan reverse cuts and today I got to bring you tutorials for you.

So as you can see, it's really nasty about 7000. I'm going to decrease the gain. And right now I got I think I got rid of all of the bass boost and on the higher pitch Which I didn't want in my audio. So that's basically what I did I just drag this around, check where the nastiest volume is and where the nastiest effect is. And right now I'm done with the lows and highs. Right now I'm going to work with from with these from one from one to five.

So basically, as much as you move on, you're going to be catching the heart practices right now with the flow once with our one. So let's bear audio and check out what it needs. But this time, what are we going to do is we're going to decrease our game because we don't want that effect. And we're going to be messing with our web. So basically what it is, is I'm going to explain once I get the right game. Hey, what is up guys Ennis, here from reverse cousin.

It's really nasty about 200 really, really nasty. So, right now, what I want to do is decrease the game all the way to my Let's see about minus 20 ish. Let's check it out. Hey, what is up guys, but as you can see, it's just catching up a lot of these purses right here and it's catching up way more volume and way more these audio there we're trying to actually catch so what are we going to do is we're going to increase our web and as you can see it's really getting tight. So what that does is catching way less horses and practices right now. So if we play back Hey, what is up guys and it's here from reverse cousin.

As you can see it's sounding way more natural and it's catching up way less of these. So right now we're going to work with the two Hey, what is up guys Ennis here from reverse cuts into better better image. So this is something that I wanted to do for a while I just didn't have time to summer around right here. So we're going to repeat the exact same process. We're going to chop this down We're going to increase the width, we're going to drop it even moral. So let's let's check it out.

Hey, what is up guys, Ennis here from reverse cuts and today I got a brand new tutorial for you. So this is something that I wanted to do for a while I just didn't have time to write down I got you can see I'm really getting this effect where I'm normalizing my audio I'm losing all of these frequencies that I'm not trying to get. And some of these ratios should be pretty accurate. I'm not getting the Echo, but for those of you who are getting echo under sound, or are recording in a really wide surroundings, this should really help so right about these hard ones right here. There should be the ankle so let's check it out. Hey, what is up guys, and it's maybe not in the third I'm sorry, but in these for sure.

Tear from reverse cuts and today I gotta bring you Toriel for you. So this is something that I wanted to do for a while I just didn't have time to write down adaptive great finish port. It's sounding really nasty. Right? Here's what I'm going to do is just drop it down like right here and check out how much of the minus game we need. Hey, what is up guys, Ennis here from reverse cast and today I got a brand new tutorial for you.

So this is something that I wanted to do for a while I just didn't have time to write down I got the great footage for it. I'm going to show you satisfied right about right here. So I've seen some of the people move around these like without adjusting the gain or with just moving them around listening to the audio and moving them around like making some weird stuff like a snake. It's really weird. You need to deal with this. It's just that you need to listen and actually adjust the game in which once you get the right Hertz's so just keep following me.

Hey, what is up guys, Anton here from reverse cast and today I got a brand new tutorial for you. So this is something that I wanted to do for a while. I didn't have time to write down I got great finish for it. Yep, yep, it's right here. It's right here. As you can see As you can see, that pitchy noise is really bothering me.

So I'm trying to just that but I'm going to loosen up the word because I want to catch a little bit more of these frequencies right here. Hey, what is up guys, Ennis, here from reverse cast and today I got a brand new tutorial for you. So this is something that I wanted to do for a while. I just didn't have time to write down. I got you right there. So let's do the first one right now.

Hey, what is up guys, Ennis, here from reverse casting today I got to bring you tutorials for you. So this is something that I wanted to do for a while I just didn't have time to and write down I got great footage for it. Oh, we got to sweet spot right here. We got sweet spot right on this one. So I'm going to decrease in now and increase our width. But I think I want to catch a little bit more of these verses right here.

So I'm going to decrease the width a little bit. And let's check out what we have here. What is up guys, and it's here from reverse cuts and today I gotta bring tutorial for you. So this is something that I wanted to do for a while I just didn't have time to write down. I got the great footage for it. And I'm going to show you this amazing trick which will give you like the smoothest scenes which, or let's call it I know what you're trying to say right now that our audio is a little bit low.

But don't worry. We're going to cover up that in our next lesson. Right now we're just trying to normalize our frequencies are Hertz's. So let's check out the sound before and after. Hey, what is up guys Ennis here from reverse cuts and today I got a brand new tutorial. It sounds like I'm talking in a talkie walkie let's check out how it sounds with the audio with the effect Hey, what is up guys Ennis here from reverse cast and today I gotta bring you tutorial for you.

So this is something that I wanted to do for a while I just didn't have time to write down I got the great footage for it. And I'm going to show you this amazing trick which we Give you like the smoothest seen switch, or let's call it the, I like it this way much better and right now once we finished with the parametric equalizer and you realize what we're doing in our next lesson, we're going to learn how to actually give it a normal sound after adjusting all of these things. So what are we talking about what we've been talking about right here. And this is just a recap of this lesson. So basically, we're trying to find the feeling hurt, or the nasty sound is for the lows, for example, for bass boots, and all the fuzziness, and chop it down and adjust the width in a way that we want to catch up to her sister we have right here, so might just decrease the second one a little bit.

And on the higher ones, we're trying to remove the echo and the higher pictures that we had. So that's exactly what we did. So if you're trying to go for the ACO right away, don't be scared to go for fourth or fifth. Right away, do you don't need to adjust one or two if you think it's fine, it's all purposes to your own audio to your own microphone and stuff like that. So thank you for having me here. In our next lesson, I talked about what we're going to learn.

So hop right into it and let's fix our audio even more.

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