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Masterclass: Killer Vocals

Learn hot to record vocals with high quality sounds.

Masterclass: Killer Vocals

Learn hot to record vocals with high quality sounds.
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Physiology of your Voice Proper Breathing Technique Chest vs Belly Breathing Falsetto Warming Up Exercises Hydration Yawning Core Warmup Neck and Shoulders Warmup Mouth and Tongue Warmup Lip Trills Tongue Trills Breathing Warmup 1-3-5 Sirens 1-3-5-Octave Sirens The Big Three Enemies VOCAL PARTS Benefits of Vocal Arrangements Types of Vocal Parts Harmony 101 Using a Keyboard for Chord Shapes Becoming a Student of Harmony
Microphone Recommendations Phantom Power Addressing your Microphone Mounting your Microphone Proximity Effect Handling Plosives Using Pop Filters Setting Levels Preparing for Tracking Vocals Auditioning our Backing Tracks Tracking your Lead Vocal Punching In Comping Vocals Editing Comps Doubling Vocals Performance Tricks Doubling Example Double Levels Harmony Example 1 - "Echo parts" Importance of Preset Tracks Basic mix of 3 part Harmonies Plate Reverb on Harmonies Cleaning up Edit Points Harmony Example 2 - "Call and Response" Harmony Example 3 - "Pad or Wash" Confidence in Falsettos Parts "Flying" Vocals Harmony Example 4 - "Call and Response 2" "Flying" Vocals example 2 Bridge Vocals
Microphone Recommendations Phantom Power Addressing your Microphone Mounting your Microphone Proximity Effect Handling Plosives Using Pop Filters Setting Levels Preparing for Tracking Vocals Auditioning our Backing Tracks Tracking your Lead Vocal Punching In Comping Vocals Editing Comps Doubling Vocals Performance Tricks Doubling Example Double Levels Harmony Example 1 - "Echo parts" Importance of Preset Tracks Basic mix of 3 part Harmonies Plate Reverb on Harmonies Cleaning up Edit Points Harmony Example 2 - "Call and Response" Harmony Example 3 - "Pad or Wash" Confidence in Falsettos Parts "Flying" Vocals Harmony Example 4 - "Call and Response 2" "Flying" Vocals example 2 Bridge Vocals
Editing Lead vs. Backing Vocals Cleaning up Timeline Color Coding Tracks Time Correcting Doubled Vocals Correcting Hard Consonants Correcting Time Slices Pitch Correction Overview Correction Speed Formant Control Time Correcting Bridge Harmonies Sliding Releases Pitch Editing our Lead Vocal Chopping Parts Working with Drift Working with Transition Time Working with Glissando Parts
Backing Tracks Mix Rhythm Section Mix Lead Vocal vs Double balance Lead Vocal vs Harmonies balance Compress before EQ Compressing the Lead Vocal Creating a Crush Channel Creating a Backing Vocal Crush Buss Cleaning up Backing Vocals with Noise Gates
Backing Tracks Mix Rhythm Section Mix Lead Vocal vs Double balance Lead Vocal vs Harmonies balance Compress before EQ Compressing the Lead Vocal Creating a Crush Channel Creating a Backing Vocal Crush Buss Cleaning up Backing Vocals with Noise Gates

If you've been looking to the absolutely best training on the planet for producing, arranging and recording killer vocals, you've found it! Over 4 hours of premium training.

While there are many production tools that give you "plug and play" radio-quality sounds to your mixes, getting killer vocals is one of the last elements of your mix that can't be cured by just using the "right microphone" or latest plugin.  David Wills takes you step by step through the industry best practices that are used in all major studios.  Look through all the subjects covered from caring for and warming up your voice, to arrangement, editing and mixing to get the kinds of vocals that you deserve but have not been able to get.

Don't buy another microphone or preamp thinking that will fix your problems. Get the training you need to get the vocal sounds of your dreams.

Physiology of your Voice Proper Breathing Technique Chest vs Belly Breathing Falsetto Warming Up Exercises Hydration Yawning Core Warmup Neck and Shoulders Warmup Mouth and Tongue Warmup Lip Trills Tongue Trills Breathing Warmup 1-3-5 Sirens 1-3-5-Octave Sirens The Big Three Enemies VOCAL PARTS Benefits of Vocal Arrangements Types of Vocal Parts Harmony 101 Using a Keyboard for Chord Shapes Becoming a Student of Harmony
Microphone Recommendations Phantom Power Addressing your Microphone Mounting your Microphone Proximity Effect Handling Plosives Using Pop Filters Setting Levels Preparing for Tracking Vocals Auditioning our Backing Tracks Tracking your Lead Vocal Punching In Comping Vocals Editing Comps Doubling Vocals Performance Tricks Doubling Example Double Levels Harmony Example 1 - "Echo parts" Importance of Preset Tracks Basic mix of 3 part Harmonies Plate Reverb on Harmonies Cleaning up Edit Points Harmony Example 2 - "Call and Response" Harmony Example 3 - "Pad or Wash" Confidence in Falsettos Parts "Flying" Vocals Harmony Example 4 - "Call and Response 2" "Flying" Vocals example 2 Bridge Vocals
Microphone Recommendations Phantom Power Addressing your Microphone Mounting your Microphone Proximity Effect Handling Plosives Using Pop Filters Setting Levels Preparing for Tracking Vocals Auditioning our Backing Tracks Tracking your Lead Vocal Punching In Comping Vocals Editing Comps Doubling Vocals Performance Tricks Doubling Example Double Levels Harmony Example 1 - "Echo parts" Importance of Preset Tracks Basic mix of 3 part Harmonies Plate Reverb on Harmonies Cleaning up Edit Points Harmony Example 2 - "Call and Response" Harmony Example 3 - "Pad or Wash" Confidence in Falsettos Parts "Flying" Vocals Harmony Example 4 - "Call and Response 2" "Flying" Vocals example 2 Bridge Vocals
Editing Lead vs. Backing Vocals Cleaning up Timeline Color Coding Tracks Time Correcting Doubled Vocals Correcting Hard Consonants Correcting Time Slices Pitch Correction Overview Correction Speed Formant Control Time Correcting Bridge Harmonies Sliding Releases Pitch Editing our Lead Vocal Chopping Parts Working with Drift Working with Transition Time Working with Glissando Parts
Backing Tracks Mix Rhythm Section Mix Lead Vocal vs Double balance Lead Vocal vs Harmonies balance Compress before EQ Compressing the Lead Vocal Creating a Crush Channel Creating a Backing Vocal Crush Buss Cleaning up Backing Vocals with Noise Gates
Backing Tracks Mix Rhythm Section Mix Lead Vocal vs Double balance Lead Vocal vs Harmonies balance Compress before EQ Compressing the Lead Vocal Creating a Crush Channel Creating a Backing Vocal Crush Buss Cleaning up Backing Vocals with Noise Gates

About the instructors

David Wills

Audio Engineer with Michael Jackson, Whitney, Houston, Phil Collins
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Discover our training catalog built by David Wills, a 30+ year veteran, Audio Engineer. Learn how David's industry experience working with artists like Michael JacksonWhitney HoustonPhil CollinsEarth, Wind & FireChicagoDiana Ross and others can help you quickly achieve professional results.

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