04 HUD combo

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Transcript

You know, Hi everybody. In this lesson we will make them and dependent object. But we'll be look like a hard element, but it will be more self sufficient. I mean that usually had elements or kind of support other objects or backgrounds. But here, it will be something design. Of course, to start working with difficult objects, the task should be clarify, first cuted.

Either you need to have an idea, or we need to find a reference and try to use it as a foundation for future project. All they know, I found this picture long ago, and it places in the folder inspiration, and I felt that it looks nice. Why not to lose it by after effects. I don't know how it was created before but I had to find animation nearby the picture. So why don't attract the power of After Effects is enough to do So let's start of course, the picture will be identical it will be something similar and based on the sample start with the creation of around equalizer and now additional plugins are needed create a new composition. Let it be full HD 10 seconds the duration is enough.

Additional that we are going to work with particles through these spaces plugins like glow depth of field and all these companies are having a core system. I choose Full HD to show you how to cut corners and optimize it. Okay, then the composition is ready. Let me name it one gradient yourself and bring here any music track. That will be the other track for our future equalizer. I chose these tracks hierarchically and let's check it out.

Is not for it. Okay so that the layer and then of facts generated out of spectrum you see such a line and nothing happens with it because we should choose the layer without. At the top of the screen you'll see how to layer and choose the track. Now it reflects to the music. So slided slide the timeline and choose nice Bart have good beaks. Okay, I've customized it and the track is ready.

Let's use the plugin select layer and tune the values for for better visualization the value of bounces responsible for a gap between The dashes and I like to increase it to make it more appropriate super, you can change out to the width of the dashes and I'm going to increase it but I decrease the softness till zero for a clear cut. So you can decided by yourself. Also here is a display of options and now the mode is digital, but you can change it to other mode like this one's like a cardiogram. But in this case, I use digital. Also you can control this side of reaction the dash now it is both sides or you choose a just up or be down. So this plugin is easy to customize and you descend let's return back.

I have been a member I would like to increase the height of these peaks okay next one this this line to be kind of round. So to do this I need to draw a round mark. So I select Ellipse tool in masks and with a press Shift draw a round mask saturate so I use save zone you can use mask ball then double click the mask and the anchor point will be here for a better orientation. After I go to the effects and choose Mask mode in the bath belly mask one after it the echo Lesson becomes the round the sound can be, can be turned off. Super. But you may notice a tiny back the economizer has its boilers, and it just got here.

So to fix it, you should increase mask expansion here. Super. let's duplicate the layer Ctrl C Ctrl D and add one more thing. So instead of digital unwanted choose dots. If I turn on the dots, you see such errors circle with that. I wanted to be one set, but not a mirror effect.

So I said be here to have these effect okay nice. one more trick here. So that mask or or a mask layer, then scale it you see such a double green it is more complex equalizer not just a line but a line where the dots looking good. I'll say I want to decrease the value of with great a deeper line. So I decrease the width of our algebra spectrum. Okay and it is the first rain of our first sample We'll leave it and create a new composition they made second or two we will create the hard element base now and after we will make 100 composition and this composition I don't need out of out of spectrum, just order shapes, turn on the mash, select pan to turn on the field and draw such a use save zone for your convenient.

Okay, the line and after I opened shape layer, then add bitter. Open it up and transform so very bitter and change the position here. Zero and been there rotation Add more copies here you'll be to create such as I can increase the width. I think that I don't need the whole circle. So let's decrease the rotation about 3%. And to control the length of the line, you can add three baths and using it, you can customize the bought of the element that you need.

Live it as it is now, but it will go around so I can can duplicate this element and change its rotation. The Dream box as you're like, even you can tune it as you like. You can decrease the width of lines. So using this technique, I'm going to create several carpets and animated painting. It's all depends on a fantasy I show you an example. So select this element, open rotation, put key, and here's an old 10 seconds animate, it's been this bit can be different.

So the first row has such speed and the second can be can have opposite direction of spinning out do the same but maybe more speedy Okay, I've created such a circle. I think that for me it's not and we might shake Together with a previous competition, so I opened the first competition and bring here our second one and have a look at what we have. It's nice already not a bad sample for the future hard on demand. Okay, so I'm going to create the third composition. And here we will use trapcode. Particular select the cross composition and copy this layer, copy, paste.

So I'm going to delete the outer spectrum effect. We will not need it here and create a new solid, okay. Click effects and select trapcode particular super you say that The particles are born from the center but I want them to fly around. Let's make a tree care may open the Layer, you can create a new light. Okay, you can cut the light blonde as any Next, go to these seconds of trip code and find their amateur tack light. This window as costs ask us to use top by name and name it like amateur it's really isn't obligatory you can open light naming, choose names and based our light one okay and now it is working particles are born from the ammeter there is only to make it move around them, customize the particles and effects with carpet, a mask clear charities, open it open mask, open this mask and select mask boss.

Then use padded copy half copies that pop them open that one transforms position Control V. Paste basically mostly into the right position just mentioned he can do it. Now we'll see that the light is moving around, but only one time, but we expected to move all 10 seconds. And to do it here is a trick. Select the slide with a pressed out Click Clock of the position and these arrow click it. Then go to the property and select Loop out cycle. After the need, the writer will move looped using the pop of the mask.

And it's very convenient. Without any case, we've created such an image, let's have a look at the settings of the trap code. Velocity is responsible for gap between the particles zero here. So in general, I would like to decrease all these seconds to zero to have the result that I need after this tuning to see that the light draw such a line, that really what we need. Here we can increase the number of particles to have no gaps and then go to the saddens of the particles. here I'd like the sharp line of particles so I opened the top sighs Over live, then use presets.

I'd like to choose the third preset and you see that the width is not a lie. Then we can short the life of the particles like one second. Now, of course, so you can bring here on your solid, okay, and and we are trapcode loops and now the lead has a loop Hello. You see that the particles follow this thing looking nice wherever, let's leave it here. Okay let me duplicate the layer with particles. It will work according to the light one because the name has a name like why And we can create additional volume or width of the line for better and beautiful outline.

So I use bar to go top and the width will be normal and then increase this size a bit and put it behind the first layer particles then change the color. Actually, it's not really important for now so I leave this one. So now it is looking like a ball and in each of the particles of overlay, you'll see that in the middle of the ray is brighter. And so using settings you can control the rain, you can change it like that or create more complex textures and forms and there is only two copies. this a number of times, and I'll show you copy the layer let one, slide it by timeline like that. And now we have two particles.

Let's make the same thing, the rate of particles here. So I just duplicate one of the layers and using naming, I print glide to Okay. Here it is. So, these particles will be fly around the heart meant. Okay, one more stop here. I make a new composition and let it be 100 by 200.

Yes, such a vertical Smell composition. And here I draw three grants in one shape. Turn off the stroke and turn on the field. As we know, you can change particles to other particles. So these three dots will be our foundation for future particles to show you the principle. Let me rename these composition One, two, for example, dots.

Okay, then go to the third composition and duplicate the layer with particles Ctrl C Ctrl T and bring it over the air then bring the dog then Use settings of the particles here. So leave lives. But in this setting, I choose not sphere but that's but before doing it, you should make 3d composition to this cube here. Again select the layer, particles sphere, texture polygon, new top texture is activated and here I can choose the layer gods. Let me turn on this layer. And you see that now?

Yes, it's hard to see but the gods are here, like a triple lie. Let's increase the size. So the particles and make them be more visible. Okay, let's make them be light, but not dark. So I just need to increase the number of particles. Oh, okay.

And change the preset like these or or not an arrow bar and decrease the width of the lights super than create and you camera to look at them at an angle yes now You see these volume, this width of the particles and that's what we need. There is only to increase the gap between the particles and in the amateur. So I turn on the cameras so I go there with particles and use the saddens world transform. Okay, let me create a new camera to check the gap and space. Okay, this land is to town So I need to find this layer. It is world transform and the value of that is 350.

So let it be over seven. Yes, nice. And here you see that the tractors is not very clean so, so they cross balls of each other. So let's fix it. Particles rotation and here I can tune maybe rotation x. That would be 90.

Okay, got it. Okay, maybe to increase the size a bit because we rotate the particles here. Here is such noise when we don't need it. You can tune the rotation of that again, so that this size is seems to be too big maybe 12 is what is okay. You see also that the lines are not smooth. So the particles has this set up the top ammeter.

And here you can find position subframe. And by default it is linear. And if I choose tan x linear, the Arctic box will disappear. So, smoogle line is here, if you choose exact, it will be as smooth as it can be, but it it will be very heavy to render Of course, we can customize the width of these lines here in the settings of particles So, we can change the whole with our line and also using dots we can change the basic particle make it smaller or bigger just to have the dot then press Shift and scale it proportional okay so I did write that the particles are more thing okay I have chills so the camera can be tunnel this land with particles can be killed and placed inside or outside the mains circle. Let's check the reference again. Okay Of course it shouldn't be identical in that but similar to these amateurs so I think it would go like this are these both images?

Let's duplicate it to light the header, it will be like free and duplicate really with this line for example, so want to create such particles that add this lead extract the applicate one of the layers Ctrl D. So the emitters name will be like free now and we can customize it, I mean, change its position for example and change some values of the particles. Okay, let's turn on the velocity increase X ray counteract components. So these particles will also fly around and I want to decrease the number of particles. There are Too many of them then I use particles Settings, then find here sighs so put random, let it be 100% Okay, positive random also 100% nice tail particles, the hatches also flying round. Of course, there are endless numbers of such tricks but I think that will make the composition use these three layers, all the things that we can render before it's better to do it.

And so for example, I want to set up these two layers precompose and blockade and then and blur effect radio blur. increase the value and scale it. scale this ring Maybe I'll create one more copy of this circle. It will be flashing based on animation. And this part is ready for rendering. So use composition at to render okay the format will be b and g sequence, then RGB plus alpha okay?

For such a stop it's okay when you're not sure in chronic. Then create a new folder name it like pod. Then create a new folder for example one and here you should render the sequence. They say that using capslock. it renders quicker Maybe, but anyway PNG sequence will be quicker than any other effects that added to that replicated and moreover reservoir is quite heavy. So, make it easy to do for rendering the number of parameters in one composition can be added percentage okay after this during this photo and bring to the project Adam want to render shapes because firstly they are not really really heavy and second, we will be able to add in them okay we will do a general composition in that this one that has particle if it will do pre composition, the volume Canva last, this plugin is a pretty plugin and work with 3d spaces said after the fact.

And while rotating the camera you can see this volume of the lines. That's why we should compose here. So bring all Avi pair compositions. There's three here are the first composition with Cole's and Brady here our second composition with this build okay so why then that we need to make it a 3d so put these squares here and they disappeared because we have amateurs and these amateurs don't eliminate the I'm going to turn on this mode and you see these black So to fix this bug I Oh The layer, row example they sequence, then open material options. Then here again FIDE accepts light it is on by default and if I turned off the layers doesn't reflect to the light and we'll be visible the same second composition, material options turn of the light acceptance create a new new object, it is in the central and make it for deployment and making you camera.

Okay, camera will be linked to the new objects for easy control of the composition. Because now only these lines have different plane. So let's move all their comments. By access using Using this so we've added volume to the composition and to the angle of camera by new object. This particles have a big gap between each other. So let me find them and customize to replace the closer to the, to the disk.

To be honest, he can customize the image inside this composition. Oh, we forgot something. Okay. Open no object and reset of the position and bring it here the logo of Supercell so control plus home blessing to this central turn three day Luke. And as they've already now we should turn off the light acceptance. Okay, I think that we don't need this inside wide part we can delete it and I will place the logo somewhere behind other layers then change its color, let it be like like this.

Okay, now we can tune cameras position And then to tune the angle of the camera and after using these angle lF sound effects more. Usually for nice sharpness, this plugin is used color lands blur. And let's create a new adjustment layer and use camera Vance blur here. We will be able to have nice depth of fields. But actually, I like that the camera that we've created has this opportunity out so I open it, use camera, use camera options and turn on depth of field Let me change these values to show you just tell you the blur, the blur of image and some sharp parts. So create such a macro look.

Okay, this is looking nice now has the depth and volume and the particles sound really looking cold. And of course, we can check it to and tune something, maybe, maybe we should add more or to change the mode to add for better visualization. So customers for better result. Okay, let's animate the rotation Let it be five seven seconds of duration. So, I put the case of the separations values and for example at the beginning the composition with this angle and in the second, it will be looking like that. So create a rotational disk.

Also, I would like to add one more effect on the letter S trapcode Shang let me turn on on the letter. Blend Mode in hand You can choose any palette of color or by colorize blend that you think suits the composition better. I think that this one and tune the shine. Yeah, nice. That's how we've made the shine of the letter S. And in general, all the composition is looking better if you're sure that the animation is okay. And there are enough of the LMS.

So to continue the editing, you will need to render this part. I've catched this line and decide that I don't like this white color. Let me change it to something more cheerful maybe yellow but Now, it's helpful. Maybe this orange By the way, maybe we can add an effect here like like shine. Okay. After rendering you need to bring into the after effects.

Okay, let's think what we can add more here. bunch of things actually. It all depends on your your time, your fantasy. And before start to do something you need to create a new solid, your future background. Let it be dark dark dark blue. This will be our space.

Then create an interesting layer and add defects here. I'll start from the glow then maybe Continue with lights or rays. You can use trapcode shine. And I'm going to use BBC Ray's ring. Have a look at the tool. Yeah, nice.

So added Ray's ring and had such cool stuff. Also the particles have this race. You can check these headings to something change. size the color. Yeah, perfect. Now it's looking like an apple.

I think that the rays are too long. So I'd like to short them. Then I'd like to add one more judgment layer and then add curves here. So, after manipulations with color and color correction, you can try curves just choose the channel and slide the curve and of course check if you like it if you like the picture or are not. So you can dublicate the composition and add fast blur fast blur effect here. Okay then here should read very hard and place it in this corner for example, or maybe blurred more.

Then choose Add mode to create such a poll and hear the depth So this color falls, but we'll react on the on the main composition. And it's cool because it's not just the sport of that but a sport with color and brightness. And if you've added here this body you can use color correction and then here are a situation. then activate the colors and color the spot to another color which be more red. So you can tune the saturation and lightness. Then duplicate this port one more time and place it here, let it be dark blue, or maybe one more copy.

So using this principle had created a background for the hard element, I say to you in advance that I like this top layer, adjustment layer, then some Fear stylized and film effect using these exact time, but in all my works, here you can see scale to see it's like imitator of different films. And these effect helps to create a cinema Luke. Yes, somebody uses magic book looks but I use film attacked. There are a lot of print films like like presets, and you can choose any. I like these green, it's very pleasant. This noise I mean, and this makes this kind of fog.

So I use this felt for customizing input and output cameras, hues, brides and so on. So you can reach me Call the result all i know i think that it is looking yes Moreover I can bring here one more adjustment layer and then it saps prison is like a chromatic aberration, zero 99 no gay. So we've created such a layer cake and cooked a composition here. If you would like to add something more, yes you can maybe sharpen and increase it to 24 in good contrast between between focus bars and on focus or maybe just 15 it will be enough So all in all, you check your composition For example, here, I would turn off this red corner or make it darker like bowl and maybe move it here. Moreover, if you would like to change something, or you've missed something and you can select for composition, then dublicate it, open it and for example, for example, I would like to make the equalizer brighter.

So by selected then press solo mode and bring it to share And here I can choose Add mode and then add glow and unit as you like. Moreover, he can use camera plus now object and paste them into the final composition and now if you create a new solid layer then add to trapcode effect. I'm in particular then instead of point hitches box and crease the distance of the gap by axis like this. Okay, maybe add more particles and then tune right Random size and random opacity. So you see this, these particles should rotate together with the composition. It's important not to overdo it so that mean decrease the size.

It is looking like an element is been inside this space with particles. Also you can freeze the particles, you need to use physics Settings, then click this clock in physics time factor one, then slide one frame zero. After this, the particles will be phrased and create these volume that we need. To be honest, I would bring it behind the layers Okay, that sounds gameover Bye guys. I hope that you have have to save in this After Effects and you have it hustle because yes most part of the work account through the late Okay, oh no everything has gone well I have recovered the project and I think that can be on top for the lesson. Here I've created one more adjustment layer then caught it using mask and add camera lens for these it's after macro and The center of the composition is in focus.

In general, I like the image there are little details and bars details, the strides aside. Everything should be customized in by your inner feeling and your intuition until you will like it. So try to create something like this this moment. It shouldn't be around form you can use wave form for example, to try making experiments to your mother get you kicked out from the computer. Okay, guys, it's, I need to go I need to clean the room. So good luck.

Try and upload your results by Okay, oh no, I haven't cleaned my room. I have spent a few hours torturing my hand around. And here is the result. I didn't like the letter. So I've changed it to these lines and then I thought that why not to change To narrow a shape like that, so it is better I think so what would lie what would I like to say? I'd like to say that yes, you can take your time here and get better results.

So tried by

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