04 Make some noise

Super Sila: School of Motion Design 02 From Primitives to Text
34 minutes
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Transcript

So what guys, in this lesson I'm going to tell you how to make something as simple as I have said about it and reach the difficult bound by it. And don't use a lot of means to do it. Literally by using five keys. We're going to create lead abstract animation that is going to transform to another defect in future to create a glitch. Let's go Firstly, and make a new composition. It should have HDTV 1008 in two to five mode.

Breaths okay. Duration 10 seconds that's okay. Okay, with the help of apps to and Pratchett I draw around. The size is doesn't matter. Your composition may be from my and it is acceptable in this case. After creating the shape and move the anchor point to the central there is only to animate to basic transforms, position and scale.

That's how I'm gonna animate here. Put two keyframes from the beginning, go to around the second and change the position like right this added about, but let me change the value to, to 404 convenient and I moved to 500 so the result is 900. And here I put a key frame by scale. So now between the keys Nothing's gonna happen. I select these keys, in this case is out. I'm going to edit the position graph, Open Graph Editor and change the speed value.

I wanted to start slowly, then have a boost. And so so let's play the animation. Yes, I'm glad about it. But let me change the value to to 1000 to make longer distance. Now I'm going to make a trick. The fact as if this round is close to the camera, I go to round seven frames.

And in this moment, I changed scale value. 710 and also I want to edit the graph of scale speed to make the deceleration slower. Okay, it looks like as if it jumps up and it is a top view you know? yeah cool. The keyframes are ready and now I'm going to duplicate this sample and move it by timeline. Let me rename everything not to get confused and while describing we you will understand what I mean.

The first composition will name one shape there will be awesome one are going to duplicate it. So here is 123. What I'm going to do next, I want to place these copies by equal position according to the original one. And now I'm going to use transforms of the shape layer. I didn't need to touch the main transforms, but I changed the position by the ellipse settings. Go to the contents, open an ellipse and open transform.

The position is 180 to one, I'm going to change it by 200. So two 381. By this way, I change the position of the object by 200 pixels by position, go to the third one and change the position by 200. According to the second round, it will be minus 181 hope it's clear. You see that this Redux move at the same time, I want these.to jump first, then the second one gems, and third one is the last that I don't touch the first layer, the second layer will be moved around three frames. And the same the third one.

Now see that they jump one after another. In this case, I can add missing parts of animation by stretching the lines like that one by the beginning of the time line. So first group of dots has been created. What am I doing next? So that could compose there. composed and name it group one, okay, the applicated control plus d, then press S and select the proportions and print minus to reverse the dots.

Now the dots jump towards each other, there is only matched the places of the dots like laptops should match right position, I go to the effect generate and feel just now and it will the red color after I press the first group and move it to the moment where we can see the start of one animation and the end of another one there is only to match them and each shift plus arrows on the key keypad. After the dots have been tuned, you can return the upper layer to the original state. And of course, delete read fail. By this way, we created this kind of loop that jumps to the same dots. And you can use it like a loader. I used it in the Supercell screensaver and it's not the end.

It's a very big composition for these dots, too much space. Select region of interest and draw this, this tough. Check that this space good enough for all the dots. And now we can crop it Select composition and choose crop composition region of interest press so that we have cropped the composition super. Let's make a new composition, composition, new composition and naming it group lines and, and bring the first composition here from the window project. So what else their crew but I'd like to add one effect more to the composition then go to the effects and find Matt simple took that to the framework adults are close to each other and I'm going to change the value of choke meant you see them During the animation, it has such an emergent effect.

Looks like an hour drops or took care. Okay, I want to change the value about 35. Yeah, great, I like it. Let's make a group of lines like this group of them. First of all, as Kelud make it smaller then I duplicate it twice. And I'm going to make a delay as we've done with the dots.

So I chose second comm position and open position. Here is 540 Let it be 640 and the last one will have 740 play and relax. And I would like to add random effect. As in the example of the dots, I'm going to move it by timeline. I use these slider to spread the timeline and move every layer. There are two layer by three frames.

The same story that we have had with dots, but in this case, I can't fix it by sliders. Here is another trick. I select the layer by right click, find the top time and choose enable Time Remapping. Here's such a curious put on it after these key we can stretch the composition and again time, enable time mapping. Oh, it's awesome. I hope you like it too.

It's a rather strong abstract animation that I would use in maybe a heart interface and it will make it late. But let's return and we can't stop so I need to select these three compositions and pre compose it again. I'll name it to okay. Today's Ctrl D and open scale and select proportional and put here minus 100%. Also a change the Position manually. This is the way I've created such a late effect.

And it is here, not just for that, I want to describe you that the foundation of very difficult compositions is a very simple form. You don't need to do double sleep to make something nice. These elements can the main or a secondary, but making a huge combination. As I said before, after effects is just an instrument. And your way of thinking shouldn't be like, how can I do it but should be what I want to do. And now by these dots, I'm going to make a map for the future glitch.

And if you're about 20, you will be glad because it's a glitch topic. Okay, definitely it's solid stuff. Why is English so important? This fact has busted in the big screen cinema. And rich the average Matt before the glitch was used just just an effect to show broken household equipment. But now it's inside of people who can see something more in the nearby future of a garden world.

If I can aim it right back. It is not now about the fact that technology but the lifestyle of every man. Before I can show a bank in the screen and he approaches became popular. Now, glitch played this role. God forbid your gadget will be broken and start to lose it. I have my personal opinion to the glitch.

Either you should do it as real as it can be. Maybe you should attack the gadget physically and record it by the camera for example, you can create a composition played on your laptop, put the video camera to record the screen of your laptop and pour the water to your lap. Something is definitely gonna happen. And you'll see something interesting in the screen of your laptop. Of course, you can act like that. And don't wait to Tam here.

But for those who has stayed here with us and then try my progress advice, I'll tell you is there a way to create a glitch effect by EA tools, but the process is a little bit different. Instead of downloaded fancy scripts, you will do it manually. These things make lead designers different from other same type works. You should take care of the form. Even if it looks like random says let it be random only for viewer Let's make a new composition and name it bleach map and bring here the group lines. That glitch map shouldn't be one.

So from the very beginning, I added the dots change the fill value, right? Okay, we've made them white in the black background. I go to the FX and preset search for mosaic and select default preset mosaic and bring it to the dots. The borders are blurred. I want to make that clear. So I should take sharp colors, play animation and see a kind of color code lets me tune it a little bit and make it more random.

If it changed the value you will be allowed to change this land of lines glitch can be based on it and also the width of the lines. Okay, after tune it As You Like It depends on your mood and wish I choose these values. But the key frame this frame will have more such artifacts. I changed the width of the line and in the end, I wanted to disappear. I think that we had two seconds of animation So I'm going to stretch this timeline. And here I'm going to increase or decrease the number of lines.

We see that bank to the simple choker effect. There are these kind of artifacts. And with the help of our dots and mosaic effect, we've created such noise in future I will use it to make a glitch. So after I can duplicate this layer and scale it to add more artifacts. So you can change the animation inside this layer. Also, to need me for eight to create a new map effect.

Because you don't need to do the same values as I had, so your glitch will differ from mine. That happens in our phishing target of the lesson. And a little bit about fonts, the customers usually are saved. And if we get a lot of likes and views, it means that you are a performer. It's clear just to increase chances for success. Add to the font that has already been popular, very highlight.

It's a good practice to take something Santa's lead and modified so return to the project and make a new composition. composition, new composition. In the name of composition, put the letter that you have chosen. In this case I named The resolution is 1000 by 1000 and the duration is nine seconds. Further, I should bring my letter inside the composition, use horizontal tattoo and type a letter who should make all letters the same. So I use 500 pixels here and you do the same and also, I use the downloaded font search ID here and find Baran.

Super. Let's place the letter in the middle of the composition. Firstly, and move in group one to the center. Then control plus home place it in the middle. Also, I've prepared a texture to make it nice to do an Easter egg. I bring this text Turn to the project.

After I add it to the timeline behind the letter. Use alpha mat mode to deduct the texture from the letter the letter became nice and funny. Also you can change the texture and match the best part after as select and pre compose these two layers, I name it a one let's turn to the glitch effect. We have already have a glitch map here in the project window. I bring into the timeline. Select the letter, go to the effects, Distort and find displacement map.

Visit kept we'll split the letter The glitch is a very short effect. So I should short our glitch map composition. As select region map layer, go to the time, select time stretch and change the value from 100 to 30. Now see that the impact directs half of a second. That's what I need. Okay, back to the latter.

And here you can see displacement map layer. In this case, I chose glitch map, one can see that horizontal displacement has rad value, I change it to alpha as the vertical one. I turn off the glitch map layer. I don't need it for now. I'm gonna tune these displacement. You see that the latter has already have a glitch effect.

And let's do it more expressive. Click the clip Hear near the horizontal displacement and change the value to minus 150 it's not the rule and you can do what you like. So the letters can be differ in this case, for example, you can tune not horizontal but vertical displacement, okay, I open the case and about three four frames. I put here the value five. Here you can see this kind of job. also bought the car again here.

Move over to frames make displacement again and to you need But the last key should be zero. So do what to like make your person this person okay? This person is not for me and now let's turn to another step. Select layers and precompose it. Name it glitch A. in their lessons file there is also a two chromatic aberration maker. You should save it on your computer and then the file scraper run script file and search it there.

Okay. Here is a window, click Make an effect this creek maker display By free main color channels red, green, blue, and red to make it more of this, so I'm gonna split each layer and a bit more using Tamron as booted first layer, this is the red one. I want to stop the date but he can split all three channels and animate it the way you like. So for me, right layer is enough. Yeah, you see bouncing and the Spaceman and so whatever, it's cool, I think. Let's turn to the glitch a composition and try to tune the artifacts in detail.

I duplicate glitch map and make it visible. Now I can change it Nobody anywhere wants Kaylee retain the Wk to the layers and make the map personnel. So please do it. As I've just said, I can scale rotate them the Kate. so badly tuning you make the ledger lead. So it should be kind of your personal vision.

It can make this a glitch not horizontal, vertical or maybe rotate something. Yes. And it will be your glitch Oh, boy there's some artifacts here as to the size and so you can change the time of appearing So please feel the composition with different elements. Make the composition look nice and cool. These manual tuning needs to finish the last effects of the page. I'm going precompose it again and again brains here glitch map.

I want to glitch map to eat letters a little bit. So I have a two and glitch map on a timeline. Here I choose alpha invoke Matt and I will see that the glitch map caught parts of the letter by alpha. Okay. I can turn it I'd have a look as I go to time and change the speed, time stretch and put here 30. So, with the help of these manipulations accurate the map of noise of displacement, I control the final look of the letter it is a manual tuning all the noise I can call it a full composition Yeah definitely.

So, what we can add also here, go to layer and choose adjustment layer. Go to effects, Distort and add wave warp. You see such waving of the letter and now instead of Shawn choose noise and I will see That we can split the letter like that. Okay, I think you've catch it. I want our son not to have not vertical but I wanted to horizontal split. So I changed the value from 19 to zero.

And now the nice looks like that and it has stretch it, you'll see that a nice cover of pixels. There's a fact is worth working and hearing. I put here the key minus one here, over 20 00. So by this tuning, I add those elements to complete the competition. Okay, let's return to composition and play the final animation. I think I did it with dignity.

It's down to add final stuff. I'm talking about background making us solid. Let me make a feel of fact here to make it equal. So again the rate fail and tune it. Let's make a dog boo the values. So try to remember 295 eight and then 114 and 21.

Then I created any adjustment layer. bleach can be without glow so attacks and fine tab is tell us and search for a glow effect here. He can leave this ad and select that. If you like it or Elsa you can tune it maybe to change the radius or dress how I did like that. There is only to add noise and it will be ready. There are no select adjustments there.

Go to the FX and find noise and grain. Add Noise I changed the value to over okay 15 as it is a glitch, you can add noise as much as you want. It will be okay. The last part of the lesson is For those who didn't pour water on the laptop, didn't break it and reach the end. I'm going to have a fun. Okay, I think that these tricks makes the work process easy and fun.

And also make us happy, because everybody wants it. I want you to hide your name or nickname inside the glitch. I'll show you how to do it. I select text to and bring Mr. Seven. Don't forget that my voice is just in voiceover and my friend His name is Alex.

He's the owner of the course. So he just asked to translate it. Okay, so first layer is Mr. Second seven. It's clear to text. I want them to buy order first, Mr. Next, I find the most convenient moment to add it Okay, I put Mr. here and card this layer out plus open and close square brackets and seven will be there and I want to change the color to blue one. I can't hear me play the animation.

Have a look. I don't like this speed and the way and maybe I should change the position. So please do it properly Okay, take my time. I like this tricks within unexpected frame, you know? And even nobody catch it. You will know about it about the existence of this trick.

Okay, I've done it. That's cool. do experiments with letters. Try to do them really cool to you every frame and your works should reflect your inner mode. scripts and plugins are good. But when you control the process, you do something more than just a design.

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